{"product_id":"60年代-台湾六十年代机绣蕾丝旗袍-经纬间的时代美学-1960s-1960s-taiwanese-machine-embroidered-lace-qipao-an-aesthetic-of-warp-and-weft","title":"60年代 - 台湾六十年代机绣蕾丝旗袍：经纬间的时代美学 | 1960s - 1960s Taiwanese Machine-Embroidered Lace Qipao: An Aesthetic of Warp and Weft","description":"\u003ch3\u003e台湾六十年代机绣蕾丝旗袍：经纬间的时代美学\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e衣服尺寸：\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e胸围\/腰围\/臀围：94\/80\/98 厘米\u003c\/p\u003e\n\u003cp\u003e衣长：123 厘米\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e细节描述：\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e这件诞生于上世纪六十年代台湾的机绣蕾丝旗袍，是工业技术革新与传统美学碰撞的珍贵遗存。其图案以连绵不绝的缠枝花卉纹为核心，深蓝蕾丝底布上，机绣工艺勾勒出粉、米双色交织的花环纹样——圆形花环由细密针脚构成，其间点缀五瓣小花，藤蔓蜿蜒如《诗经》中“葛之覃兮，施于中谷”的绵延意象，既承袭了明清织物“缠枝纹”的吉祥寓意（象征生生不息），又融入了六十年代现代主义对几何秩序的追求。\u003c\/p\u003e\n\u003cp\u003e彼时台湾纺织业正处黄金期，机绣技术突破手工局限，使蕾丝面料首次实现大规模生产。这件旗袍选用进口尼龙蕾丝，轻薄透气却挺括有型，无袖高领的剪裁更呼应了张爱玲笔下“六十年代女性追求利落线条”的时尚宣言。相较于同期手工苏绣的繁复，机绣蕾丝以工业美学重构了东方韵味，成为海外华人社群“既摩登又怀乡”的身份符号。\u003c\/p\u003e\n\u003cp\u003e如今存世的六十年代台湾机绣旗袍不足百件，这件品相完好、针脚清晰的孤品，不仅是服装史的实物见证，更如沈从文《中国古代服饰研究》所言：“一针一线皆时代呼吸”——当指尖抚过蕾丝上的花环，触摸的是冷战时期海岛的工业脉搏，是传统纹样在现代语境下的重生，更是一个时代女性挣脱束缚、拥抱自由的优雅注脚。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3 data-path-to-node=\"2\"\u003e1960s Taiwanese Machine-Embroidered Lace Qipao: An Aesthetic of Warp and Weft\u003c\/h3\u003e\n\u003cp data-path-to-node=\"3\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeasurements \/ Size Guide：\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBust \/ Waist \/ Hips: 94\/80\/98 cm\u003c\/p\u003e\n\u003cp\u003eTotal Length: 123 cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDetailed Description：\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"3\"\u003eThis machine-embroidered lace Qipao, born in 1960s Taiwan, is a precious relic of the collision between industrial innovation and traditional aesthetics. Its pattern centers on continuous intertwining floral motifs. Upon a deep blue lace base, machine embroidery sketches a garland pattern of interwoven pink and cream hues. The circular wreaths consist of dense stitching interspersed with small five-petaled flowers, with vines winding like the imagery of \"creeping vines spreading through the valley\" from the \u003ci data-index-in-node=\"513\" data-path-to-node=\"3\"\u003eClassic of Poetry\u003c\/i\u003e. It inherits the auspicious meaning of the \"intertwining branch\" (\u003ci data-index-in-node=\"597\" data-path-to-node=\"3\"\u003eChanzhi\u003c\/i\u003e) pattern from Ming and Qing fabrics—symbolizing endless life—while integrating the 1960s modernist pursuit of geometric order.\u003c\/p\u003e\n\u003cp data-path-to-node=\"4\"\u003eAt that time, Taiwan's textile industry was in its golden age. Machine embroidery technology broke through the limitations of hand-stitching, allowing lace fabrics to be mass-produced for the first time. This Qipao is crafted from imported nylon lace, which is light and breathable yet crisp and structured. The sleeveless, high-collar silhouette echoes Eileen Chang’s fashion declaration that \"1960s women pursued sharp lines.\" Compared to the complexity of contemporary hand-made Suzhou embroidery, machine-embroidered lace reconstructed Oriental charm through industrial aesthetics, becoming an identity symbol for overseas Chinese communities that was \"both modern and nostalgic.\"\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003eToday, fewer than a hundred 1960s Taiwanese machine-embroidered Qipaos remain in existence. This unique piece, with its excellent condition and clear stitching, is not only a physical witness to fashion history but also embodies what Shen Congwen wrote in \u003ci data-index-in-node=\"256\" data-path-to-node=\"5\"\u003eResearches on Ancient Chinese Costumes\u003c\/i\u003e: \"Every stitch and thread is the breath of an era.\" When fingertips brush over the garlands on the lace, one touches the industrial pulse of the island during the Cold War era—the rebirth of traditional patterns in a modern context, and the elegant footnote of an era's women breaking free from constraints to embrace liberty.\u003c\/p\u003e","brand":"深圳溯源","offers":[{"title":"Default Title","offer_id":53253460984100,"sku":null,"price":910.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/1360\/6436\/files\/Image_20260413071928_2208_6.jpg?v=1776098412","url":"https:\/\/shenzhensuyuan.com\/en\/products\/60%e5%b9%b4%e4%bb%a3-%e5%8f%b0%e6%b9%be%e5%85%ad%e5%8d%81%e5%b9%b4%e4%bb%a3%e6%9c%ba%e7%bb%a3%e8%95%be%e4%b8%9d%e6%97%97%e8%a2%8d-%e7%bb%8f%e7%ba%ac%e9%97%b4%e7%9a%84%e6%97%b6%e4%bb%a3%e7%be%8e%e5%ad%a6-1960s-1960s-taiwanese-machine-embroidered-lace-qipao-an-aesthetic-of-warp-and-weft","provider":"Shenzhen Suyuan","version":"1.0","type":"link"}