{"product_id":"60年代-六十年代香港产法蕾香韵旗袍-1960s-1960s-hong-kong-french-lace-fragrance-antique-qipao","title":"60年代 - 六十年代香港产法蕾香韵旗袍 | 1960s - 1960s Hong Kong \"French Lace Fragrance\" Antique Qipao","description":"\u003cp\u003e\u003cb data-path-to-node=\"3\" data-index-in-node=\"0\"\u003e六十年代香港产法蕾香韵旗袍\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e粉若桃夭映绣帷，法蕾精雕燕尾姿。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e云鬓斜簪花解语，香江裁月作裳衣。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e旗袍通体以法国进口手工蕾丝织就，纹样取“折枝缠枝”之法，\u003c\/span\u003e\u003cwbr\u003e\u003cspan\u003e朵朵花簇如《诗经》“桃之夭夭，灼灼其华”所咏，\u003c\/span\u003e\u003cwbr\u003e\u003cspan\u003e每朵花瓣皆以三重蕾丝叠绣，边缘作燕尾分叉，宛若《考工记》“\u003c\/span\u003e\u003cwbr\u003e\u003cspan\u003e天有时，地有气，材有美，工有巧”之造物精神。蕾丝孔洞暗合“\u003c\/span\u003e\u003cwbr\u003e\u003cspan\u003e冰裂纹”意趣，光线穿织时，恍见《长物志》所言“\u003c\/span\u003e\u003cwbr\u003e\u003cspan\u003e疏影横斜水清浅”的文人画境。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e此袍承袭海派旗袍“中体西用”之魂：立领高至锁骨，暗合《礼记》\u003c\/span\u003e\u003cwbr\u003e\u003cspan\u003e“衣正色，裳间色”之制；无袖设计则融汇巴黎六十年代“新风貌”\u003c\/span\u003e\u003cwbr\u003e\u003cspan\u003e剪裁，恰似张爱玲笔下“华丽而苍凉”的都市美学。香港工匠以“\u003c\/span\u003e\u003cwbr\u003e\u003cspan\u003e滚边藏针”绝技收束蕾丝边缘，针脚细密如《天工开物》所载“\u003c\/span\u003e\u003cwbr\u003e\u003cspan\u003e寸锦寸金”，使西洋蕾丝生出东方骨相。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e现存六十年代法蕾旗袍不足百件，此件尤以“粉霞色”独步——\u003c\/span\u003e\u003cwbr\u003e\u003cspan\u003e当年染坊以胭脂虫提取天然色素，经三染三晒方得此温润色泽，\u003c\/span\u003e\u003cwbr\u003e\u003cspan\u003e今已失传。袍身未见补缀痕迹，蕾丝经纬仍保有“蝉翼纱”\u003c\/span\u003e\u003cwbr\u003e\u003cspan\u003e之透光性，堪称“可移动的纺织史标本”，其工艺价值堪比故宫藏《\u003c\/span\u003e\u003cwbr\u003e\u003cspan\u003e乾隆嫔妃便服图》中衣饰之精妙。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e此袍非衣，乃半世纪东西方美学共振之证，着之可感《说文》“衣，\u003c\/span\u003e\u003cwbr\u003e\u003cspan\u003e依也”之真谛——以衣为媒，依附时光，依偎文明。\u003c\/span\u003e\u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3 data-path-to-node=\"2\"\u003e1960s Hong Kong \"French Lace Fragrance\" Antique Qipao\u003c\/h3\u003e\n\u003cp data-path-to-node=\"4\"\u003e\u003ci data-path-to-node=\"4\" data-index-in-node=\"0\"\u003e\"Pink as young peaches reflecting embroidered curtains; French lace exquisitely carved in swallowtail grace.\"\u003c\/i\u003e \u003ci data-path-to-node=\"4\" data-index-in-node=\"110\"\u003e\"With blossoms as whispers in slanted hair, Hong Kong tailors the moon into a radiant gown.\"\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"5\"\u003eThis Qipao is crafted entirely from \u003cb data-path-to-node=\"5\" data-index-in-node=\"36\"\u003eimported French handmade lace\u003c\/b\u003e. The motifs employ the \"broken and intertwining branch\" method; each floral cluster evokes the vibrant vitality of \u003ci data-path-to-node=\"5\" data-index-in-node=\"181\"\u003e\"The peach tree is young and elegant; brilliant are its flowers\"\u003c\/i\u003e from \u003ci data-path-to-node=\"5\" data-index-in-node=\"251\"\u003eThe Classic of Poetry\u003c\/i\u003e. Every petal is rendered with triple-layered lace embroidery, with edges branching out like swallowtails—a testament to the creative spirit of \u003ci data-path-to-node=\"5\" data-index-in-node=\"416\"\u003e\"The seasons of Heaven, the energy of Earth, the beauty of materials, and the skill of the artisan\"\u003c\/i\u003e recorded in \u003ci data-path-to-node=\"5\" data-index-in-node=\"528\"\u003eKao Gong Ji\u003c\/i\u003e. The intricate apertures of the lace subtly mirror the charm of \u003cb data-path-to-node=\"5\" data-index-in-node=\"604\"\u003e\"ice-crackle\" patterns\u003c\/b\u003e. As light filters through the weave, it creates a literati painting atmosphere: \u003ci data-path-to-node=\"5\" data-index-in-node=\"707\"\u003e\"Sparse shadows slant across the clear, shallow water.\"\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"6\"\u003eThe garment inherits the soul of \u003cb data-path-to-node=\"6\" data-index-in-node=\"33\"\u003e\"Chinese essence with Western utility\"\u003c\/b\u003e: the standing collar reaches the collarbone, aligning with the ancient codes of the \u003ci data-path-to-node=\"6\" data-index-in-node=\"156\"\u003eBook of Rites\u003c\/i\u003e, while the sleeveless design integrates the \u003cb data-path-to-node=\"6\" data-index-in-node=\"214\"\u003e\"New Look\"\u003c\/b\u003e tailoring of 1960s Paris. It captures the \"magnificent yet desolate\" urban aesthetic famously depicted by Eileen Chang. Hong Kong artisans utilized the \u003cb data-path-to-node=\"6\" data-index-in-node=\"377\"\u003e\"hidden-stitch piping\"\u003c\/b\u003e technique to finish the lace edges, with stitches as meticulous as the \"inch of brocade, inch of gold\" described in \u003ci data-path-to-node=\"6\" data-index-in-node=\"516\"\u003eTiangong Kaiwu\u003c\/i\u003e, bestowing an Oriental skeletal grace upon the Western lace.\u003c\/p\u003e\n\u003cp data-path-to-node=\"7\"\u003eFewer than a hundred French-lace Qipaos from the 1960s survive today; this piece is particularly peerless for its \u003cb data-path-to-node=\"7\" data-index-in-node=\"114\"\u003e\"Rosy Cloud Pink\"\u003c\/b\u003e hue. In that era, dyeworks extracted natural pigments from cochineal insects, achieving this warm luster through three rounds of dyeing and sun-drying—a technique now lost to time. The body shows no traces of repair, and the lace still retains the translucency of \"cicada-wing gauze.\" It is truly a \u003cb data-path-to-node=\"7\" data-index-in-node=\"431\"\u003e\"mobile specimen of textile history,\"\u003c\/b\u003e with a craft value rivaling the exquisite garments seen in the \u003ci data-path-to-node=\"7\" data-index-in-node=\"532\"\u003ePortraits of Emperor Qianlong’s Concubines in Casual Dress\u003c\/i\u003e from the Palace Museum.\u003c\/p\u003e\n\u003cp data-path-to-node=\"8\"\u003eThis is more than a garment; it is evidence of the half-century resonance between Eastern and Western aesthetics. To wear it is to feel the true essence of the definition from \u003ci data-path-to-node=\"8\" data-index-in-node=\"176\"\u003eShuowen Jiezi\u003c\/i\u003e: \u003ci data-path-to-node=\"8\" data-index-in-node=\"191\"\u003e\"Clothing (Yi) is that which one relies upon (Yi).\"\u003c\/i\u003e Using the robe as a medium, one relies upon time and nestles within civilization.\u003c\/p\u003e","brand":"深圳溯源","offers":[{"title":"Default Title","offer_id":51981038879012,"sku":null,"price":745.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0835\/1360\/6436\/files\/f27cd894d0b5c8424aba6acb44bd5bfa.jpg?v=1770052392","url":"https:\/\/shenzhensuyuan.com\/products\/60%e5%b9%b4%e4%bb%a3-%e5%85%ad%e5%8d%81%e5%b9%b4%e4%bb%a3%e9%a6%99%e6%b8%af%e4%ba%a7%e6%b3%95%e8%95%be%e9%a6%99%e9%9f%b5%e6%97%97%e8%a2%8d-1960s-1960s-hong-kong-french-lace-fragrance-antique-qipao","provider":"Shenzhen Suyuan","version":"1.0","type":"link"}